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I want to stare deeply into your eyes as the sun sets, but I don’t know how to tell you. :s

Thanks Lewis 🙂

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The Witch’s Boy by Kelly Barnhill – Review by Katherine Sokolowski

I absolutely agree with everything Katherine has to say.
I personally love this book and i have read it multiple times. I am also aspiring to be a teacher, so i hope to teach this to the students in which i will teach if i reach my life long dream. It would be a privilege to spread wisdom on this book.

Thanks Lewis 🙂

Nerdy Book Club

IMG_3082When trying to describe The Witch’s Boy to my students, I was at a loss for words. I finally said, “Sometimes I don’t know how to describe the books that I love to read, but I know they will be magical from the moment I open them.” The Witch’s Boy was just that type of book, magical from the very first page.

 

Book talking this beautiful book for our Mock Newbery unit was easy. First, I held it up. Immediately students were drawn to the cover and recognized the illustrations as the work of Jon Klassen’s. Their first connection and already they were excited. Then, I began…

 

This is a hard book to describe. Kelly Barnhill has packed so much into this book. It is, at once, a fairy tale, a story of friendship, family, and coming of age. It is a hero’s journey, a quest, a battle…

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How to Survive and Prevail in This Era of Greed and Privatization

I’m up for a quick game of polo, you interested girl?

Thanks Lewis 🙂

Diane Ravitch's blog

I recently posted a letter from a teacher whose message was “this too shall pass.”

Some readers took this as an expression of complacency. Just wait it out, and the billionaires will get so frustrated by their repeated failures that they will move on to disrupt something else or go back to playing polo.

The bottom line is that you never win in a confrontation by digging your head into the sand. Complacency is self-defeating. While you close your eyes to what is happening, the high-stakes testing will get worse, your community public schools will be closed, experienced teachers will be fired, and schooling will become a consumer choice, like buying milk at the grocery store (the analogy that Jeb Bush suggested at the Republican convention in 2012, that picking a school should be as easy as choosing between 1% milk, 2% milk, whole milk, chocolate milk, whatever).

And meanwhile…

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When Mary Martin Was the Boy Who Wouldn’t Grow Up

In a sense this can relate to my life.

Longreads

Ben Yagoda | Longreads | December 2014 | 12 minutes (3,094 words)

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One day early in 1954, Mary Martin and her husband, Richard Halliday, were driving on the Merritt Parkway, near their home in Norwalk, Connecticut. On the car radio came Frank Sinatra’s new hit, “Young at Heart.” It was perfect! That is, the song had the exact sentiment and feel they wanted for the pet project they’d long been planning, a musical version of J.M. Barrie’s 1904 play Peter Pan (original subtitle: “The Boy Who Wouldn’t Grow Up”). Right on the spot, they decided they’d hire whoever had written the song to compose the score for their production.

It turned out that the words were by a young New Yorker, Carolyn Leigh, and the music by the veteran West Coast jazzman Johnny Richards. The next morning the phone rang in Leigh’s apartment…

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How to Fake a Medieval Fresco in Third Reich Germany

banter

Longreads

Down in the schwahl, Malskat and the Feys set to work, attempting to reclaim history by scraping away the paint with which Olbers had tried to recapture the past. But subtracting what their predecessor had done—whether on account of Olbers’ pigments or the Feys’ incompetence—left almost none of the original paint. A nearly 700-year-old national treasure had vanished, and Ernst Fey was legally responsible for the disappearance.

Most likely Fey was the one to think of a fix. Unquestionably Malskat was the one who achieved it. Over the next several months, the erstwhile housepainter whitewashed the brick, discoloring his lime with pigment to give the walls an ancient tint. Onto this fresh surface he painted freehand his own version of the murals. Necessarily these were based on Olbers’ 19th-century restorations, reverse engineered to approximate the early medieval originals by reference to period examples in the professor’s catalogues. Drawing his figures…

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